MUSIC SCORES
I design the structure of my compositions by applying abstract modeling of cosmological objects using the Parametric Counterpoint's framework.
If you wish to purchase a score, please contact me at joed.od12@gmail.com
using either the contact box or via private email.
SH-I (2023)
For Amplified Piano and Clarinet
"The stars do not look bigger, but they do look brighter."
SIRIUS (2022)
For Amplified Saxohpone Quartet
“Relative is the time, relative is the space, relative is the sound… just, relative.”
CENTAURUS (2022)
For Amplified Mixed Ensemble of Variable Nature
"A series of simultaneities, all apart, all together."
ORBITS (2021)
For Amplified Mixed Large Ensemble and 2 Female Voices
"Aim for the stars."
WORMHOLE (2021)
For Amplified Solo Violin
“So close, yet so far, in the bending of time.”
SPACE-TIME BURST (2021)
For Amplified Solo Trombone and Live Electronics
“In the edge lies the beginning of a new reality; brief, vicious, and uncertain.”
PRIS-MA (2020)
For Amplified Modified Pierrot Quintet
“Look for the curving of the light, just there you will find the true colors of the stars.”
NEBULA (2019)
For Four Amplified Bowed String Instruments
“An explosion… violent, sudden, deathly, but a silent explosion.”
FANFARE FOR THE UNWELCOME MEN (2019)
For Orchestral Brass Section, 4 Percussionists, Piano, and Harp.
“Those who came, those who murdered, those who tried to make us forget. This is not a piece of celebration, but rather, a piece of contemplation about the past, our past.”
RIGEL (2018)
For Amplified Mixed Quintet
“Alone in the darkness, a powerful deity watches over us.”
IONOSPHERIC WIND (2018)
For Brass Quintet
“Slowly, the air becomes thinner… unbreathable.”
PARTICLES (2017)
For Mixed Quartet
“So small and yet as big as the universe itself.”
if you would like to know more about my scores, please contact me at joed.od12@gmail.com.